Matah is a habitat where sculptures come alive. Born from digital sketches and carried into physical form, it is a world shaped through patience, repetition, and becoming.

At its center stands Unholder — the first figure, simple yet profound. What appeared lighthearted revealed itself as a mirror of vulnerability, and for that reason it remains the constant companion of this journey.

Every piece in Matah is formed through iteration: created, broken, reshaped, until it finds the quiet moment of completion. They are art toys with the soul of sculptures — carrying fragments of joy, despair, anxiety, and all that lies between. Not as answers, but as presence.

Matah does not care about perfection. Only connection. A place where figures are more than objects, and where those who see themselves within them find something to hold on to.